A Good Question
“Where do you write?”
It was a surprising question from a guest at a party in my home.
It shouldn’t have surprised me. I write. I even sometimes call myself a writer. I’ve worked with this woman for seven years. She knows this about me, reads my blog, and owns a copy of my book. Why did her question catch me so off guard?
I proceeded to explain that if it was morning I wrote at my dining room table because I love the morning light on the golden walls of that room. If the weather is mild, I sit on a back patio by a small fountain, where the sound of the trickling water and the green walls of trees and shrubs surround me. That spot, in fact, is where I wrote my devotional book a few years ago, and I showed her the exact chair where I sat on Saturday and Sunday afternoons, pulling together the week’s worth of handwritten notes and scribbles and somehow turning then into seven devotionals a week in order to meet a tight deadline.
It took only seconds to answer her, but long after the guests were gone and the last dish put away, the question still lingered in my mind. Though in the moment I was serving as hostess, and day-to-day this person signs my paycheck as a teacher, her question spoke identity to me. She sees me as a writer.
Where do you write does two things for me. It acknowledges my identity as a writer and my need for space and time to work. The question validates writing as work, real work that must be done in a particular space at a certain point in time. CFOs have offices; teachers have classrooms; surgeons have operating rooms. Writers have… desks, tables, laptops, coffee shops… patios?
The inward response of surprise I felt when she posed her question, along with the lightness in my spirit I felt afterwards tells me two things as well. I’ve begun to believe it myself, that I am made to write, that it is who I am; but the surprise tells me that I have yet to conceive that others see me that way. The satisfaction in having the very question posed tells me I long for that – to be seen by others as a writer.
It’s all fine and good to say one should write because she has things to express or one should write whether anyone reads it or not (there are some valid reasons for that – not everything I write is to be public) – but at the end of the day, writing, though extremely solitary in the doing, is not solitary at all. It’s a conversation. I am writing TO somebody, maybe to several “somebodies”. Writing is relational. It’s my side of the topic and I need a reader to ‘talk back’. Whether she ever literally speaks to me about what I’ve written is not the point, but I need to know that someone nods and smiles and underlines and cries and argues as she reads my words – the same way I do when I read my favorite writers who may never know I exist.
The first week of class in AP Language and Composition we cover the rhetorical triangle: speaker, audience, and subject. Without the audience, the triangle collapses. We can’t write into nothingness. You, the reader, must be there for us, in our mind’s eye and ear. We shape our sentences and choose our words for you.
From the first methods class in composition as an undergraduate, I was taught that a good writing teacher writes with her students. I believed it. I still believe it. How can I teach what I do not know and do? I have always found this extremely difficult, though, perhaps because I took it too literally. While my students write, the temptation is too strong to be reading the last thing they wrote or conferencing with one who needs help. The marking of papers is never done!
But I do write with my students – daily, weekly, and regularly. I struggle with blank page, the distractions, the frustrations of revisions and edits, and the balancing of more urgent things vying for my time just like they do. I don’t write in the classroom while they write, but I do write with them – in my dining room and on my patio and in the red leather chair in the den. It was an excellent question: Where do you write?